the truth that Final Cut far less intimidating may be a bitter pill to swallow for professionals who

 

 

 

 

 

 

You will find new features, too. The Auditions feature enables you to compare alternative shots within the timeline, giving them a shot without needing to place them individually. This is great if you're sitting having Tory Burch Free shipping a client or director, asking for input. Color Match does a remarkable job making the overall color cast of one clip (a broad-daylight shot, for instance) match the lighting of some other (say, a sunset scene).

 

You can adjust the playback speed of the clip ¡ª slow-mo, fast-mo, whatever ¡ª simply by pressing a vital after which dragging the clip's right edge, so that it occupies a longer or shorter chunk of the timeline. It's visual, immediate and render-free.

 

The brand new Timeline Index presents a tidy, clickable chronological list of everything in your movie: clip names, markers, clip keywords and so on.

 

Like iMovie, Final Cut can analyze newly imported video and discover which shots have people in them ¡ª one individual, a couple, group shots ¡ª and put them into virtual folders automatically. You may also apply keywords to the part of any clip ¡ª"Closeup," "Grandma," whatever; the program puts keyworded clips into appropriately named virtual folders, too. Final Cut may also stabilize shaky footage during the import process, as well as eliminate hums or hisses in your audio.

 

The bottom line: The rewritten Final Cut is much, much easier to use than the old one, and it is immediacy keeps your creative flow going.

 

But not everyone will fall madly in love. Replica Brian McCann Jersey Switching to the new Final Cut from the old one is like returning home from college to discover that the parents remodeled your bedroom. Longtime Final Cut jockeys, particularly, may grind their teeth during their visit ¡ª and not just because they have to pay $300 for the "upgrade," same as newcomers.

 

Here's one example. The brand new "magnetic timeline" works like iMovie's; your Authentic Brandon Phillips Jersey clips always snap to the left, leaving no gaps. You are able to no more freely park clips temporarily on the right, while using timeline like a workspace.

 

Also, the truth that Final Cut far less intimidating can be a bitter pill to swallow replica Adam Lind jersey for experts who have Herve Leger UK sweated blood to master that old version. Online, some early adopters happen to be cursing how "consumer-y" the new program looks.

 

Video editing screams out for horsepower. Final Cut is now a 64-bit program, meaning it can exploit Macs using more than 4 gigabytes of memory for even better speed. And you'll need it; on even medium-powered Macs, scrolling and dragging operations can get laggy.

 

I additionally ran into a couple of typical first-release bugs. Don't entrust your next Cannes entry to Evan Longoria Jerseys this Troy Tulowitzki Jersey program until Apple produces the inevitable bug-fix patch.

 

The largest disappointment is that Final Cut X can't open old Final Cut projects. They're now orphaned, stuck forever within the old program. Apple says the architecture of the new program is simply too different from the old one. Well, O.K., but such a drag to have to maintain your video projects in two separate collections: B.X. (before X) and A.X.

 

Of course, this is the way Apple rolls. Here's one more Apple-imposed migration to a new, completely different Authentic Felix Hernandez Jersey platform.

 

Yes, some bugs need fixing, and the "coming soon" features need to come soon. But despite the footnotes, and when you can get past the shock of the new, Final Cut X has already been intuitive, powerful and very sweet.

Par yushi le samedi 25 juin 2011

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